Cold Dream Colour

Cold Dream Colour

Although billed as a dance homage to Louis le Brocquy, Cold Dream Colour refused to be a moving representation of static canvases. The first moments of the dance made it clear that this would be more than a visual experience: in darkness, the sound of softly padding footsteps crescendoed to breathy running until the dim light revealed a solitary figure – the Butoh dancer Oguri – framed by partly-parted curtains. This was a homage to le Brocquy the artist rather than le Brocquy the painter. Rather than “bringing the paintings to life” it offered a deeply-embodied reflection of the complex layers of meaning in his visual imagery, and in particular his use of tone and texture.

That’s not to say there weren’t specific references to individual paintings – some images were too strong to ignore – but the choreographic team of Morleigh Steinberg, Oguri and Liz Roche seemed more concerned with harnessing the energy within the paintings rather than surface shapes. That was left to the subtle lighting design, which was an equal partner to the movement with lights irregularly criss-crossing the floor to evoke textured layers of paint and a restricted palette warm straw and steely grey colours that reflected the artist’s “Grey Period”. Similarly the soundscore by Feltlike, Paul Chavez and The Edge was sympathetic to the tonal changes onstage, from broad brush strokes of electro-atmospherics to precise dabs of timbre that matched the movement or primal percussion that broodingly bubbled under gathering momentum. Grant McLay, Katherine O’Malley, Cat Westwood and Roxanne Steinberg joined the three choreographers onstage in a performance that was admirably concentrated and sustained.

Any careful re-evaluation of an artist like le Brocquy runs the risk of being so seduced by the craft that it loses sight of the beauty. Cold Dream Colour magnifies the sense of beauty, paradoxically by not trying to kinetically airbrush out the darkness within his canvasses. Instead the dance celebrates his honest humanity to produce a reading that encourages a renewed examination of the paintings and a fresh glance at the ever-constant tension between individual and community, and between coalescence and fragmentation.